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Closing
date for submissions: Friday 8 April 2005.
Call for Papers
Deliver
the Voice: insights & advances
The
7th Voice Symposium of Australia, to be held at
Sydney Convention and Exhibition Centre, Darling
Harbour, 15 - 17 September 2005.
Themes
are:
- skill acquisition
- the injured voice
- standards of practice
Submissions
addressing the themes for individual papers,
posters and interactive
workshops can be submitted.
For
more information or a brochure phone (+61 2) 6257
3299 or email voice@ausconvservices.com.au.
Full
details available on the deliver
the voice website. |
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Results
revealed from the "Listening Test" held
at the ANATS National Conference in July 2004.
In
July 2004, ANATS member Jennifer Barnes
presented a paper at the ANATS conference in Sydney.
As part of that paper, the audience took part
in a listening exercise that forms part of her
PhD study. Here are the results of the exercise,
the "Listening Test":
The
Listening Test
There
were 10 pairs of soprano voices and the audience
was asked to choose which one of each pair was
likely to be more audible over orchestra. They
were asked to ignore their personal voice preferences
and decide purely on the one criterion. Through
acoustic analysis, I had arrived at a set of predictions
and I was interested in whether the predictions
would be backed up by what people heard.
In
7 of the 10 pairs, the audience as a whole agreed
with the predictions, which is significantly better
than chance. This indicates that, as a group,
their perception agreed well with the prediction.
70%
of the individual audience members agreed with
the predictions in at least 6 pairs of the 10
possible.
There
were six soprano voices used in the samples and
these had been rated from high energy to low energy
overall using acoustic analysis. When the audience
votes were considered in relation to each soprano
singer, the results agreed very well with the
prediction. While there was a small shift in position,
the singers predicted as the higher 3 or lower
3 for audibility were also rated that way by the
listeners. This differentiation is stunning given
that all of the soprano singers used have performed
at high level in opera. Our audience obviously
were able to distinguish well even when the ability
of the singers was relatively even as compared
to the whole population of singers.
Prediction
The
prediction from highest to lowest was: Singer
6, Singer 2, Singer 3, Singer 4, Singer 5, Singer
1
The
listeners rated them as follows:
Singer 2, Singer 6, Singer 3, Singer 1, Singer
4, Singer 5
Results
The
results are fully explained in a paper that has
been submitted to Australian Voice.
They
have also been reported on the ABC Science online
website at:
http://www.abc.net.au/science/news/stories/s1188869.htm
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Download
fullsize photo of delegates
shown below (520KB JPG)
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ANATS
National Conference 2004 Update
Singing:
Mastery and Mystery
Sydney Conservatorium
of Music, Sydney, Australia
Thursday 15 - Sunday 18 July, 2004
Sydney Conservatorium
website
On
behalf of the National Council of the Australian National
Association of Teachers of Singing, the Sydney Chapter invites
you to join them at the Sydney Conservatorium of Music from
15-18 July, 2004, for the biennial national conference.
ANATS
is delighted to bring together this group of fine Australian
and international presenters. We invite you to explore aspects
of the Mastery and Mystery of singing and the teaching of
singing as ideas, artistry and - most of all - practice.

Click
here for full details of the conference |
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New
'Voice of ANATS' Editor
Dec 2003 Feb 2004
Update
Update
Welcome
Cathy Aggett, the new "Voice of ANATS" editor. Cathy will
be assisted by Pat Wilson.
More
about Cathy:
Cathy
Aggett holds a Diploma of Music Education from the NSW Conservatorium
of Music, a Master of Music Degree from the University of NSW, and
an Associate and Licentiate Diplomas (Teacher's) in Singing from
the Trinity College of London. Cathy's career has been one that
has involved many facets of the Music profession, including Music
Education, teaching classroom music from K - Y12; performance as
a vocal soloist, conductor and accompanist; leadership in the Orff
Schulwerk Association of NSW as Bulletin Editor for 3 years, editing
and type-setting 4 books and holding Leadership and Level 3 accreditation;
and as a private teacher of voice, piano and musicianship.
Cathy
was a member of the music staff at St Andrew's Cathedral School
from 1991 - 1998. She was Head of Department for 3 of those years.
While at the school, Cathy was involved with the St Andrew's Music
Festival, conducting combined performances of two Choral works by
Benjamin Britten: Noye's Fludde and St Nicholas .
Cathy has appeared as a soprano soloist in Handel's Messiah
, Bach's St John Passion , the Beethoven Mass in C
and Peter Sculthorpe's Child of Australia. Apart from
Vocal and Choral music, especially contemporary Australian repertoire,
she has an avid interest in music technology and music publishing.
Cathy's
experience with Choral music has been extensive, including 4 years
as a conductor and accompanist with the Australian Youth Choir,
travelling with the Choir as accompanist on its first American Tour
in 1990. She directed a professional choir for 2 years, who performed
each month at St Phillip's Church, Castle Cove. Cathy is the Director
& founder of Sydney Singers, a semi-professional chamber choir,
of which Richard Gill O.A.M. is patron.
2002
marked the beginning of research into a vocal tutor for beginner
singers titled Voices of Oz. Research into the book progressed
steadily throughout 2003 and the aim of including a repertoire of
30 songs had reached 17 at the time of writing this biography. In
2003 Cathy decided to concentrate more on studio work, and to that
end, registered her studio as Northern Beaches Music Studio.
Could
you be the next new editor of The Voice of ANATS?
Pat Howes
has been editing The Voice of ANATS since 1995 and is now retiring
from the position. It is not an arduous task, since the newsletter
only comes out three times a year. Pat feels a new editor would
have fresh ideas which could only improve the newsletter.
For information call
Pat on (02) 9953 3678 or email pat_howesvoice@bigpond.com
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Cathy
Aggett |
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Articles
for Australian Voice
Jan 2004
Author
Guidelines - information for contributors
Australian
Voice needs you!
Australian Voice
is the official journal of ANATS and published annually. It will
be its 10th Edition in 2004.
*2004
will be the 10th Edition of Australian Voice*
The purpose of Australian
Voice is to provide a medium for presentation and dissemination
of original articles and research papers on all topics related to
voice.
It seeks to be non-partisan
and international in perspective, while encouraging discussion and
enquiry about a wide range of subjects and methodologies.
Research papers and original
articles are invited from practitioners in all relevant fields on
topics related to voice - voice science, physiology, pedagogy, therapy
and health, performance practice and style, music literature and
repertoire.
Scholarly articles are
required for potential inclusion. They should fall into one of the
following categories:
Articles
- Refereed
Scholarly articles are
sought and subjected to a blind peer review process. Article length
may be 1,500-3,000 words (short), 3,000-5,000 words (medium), or
more than 5,000 words (long). The article may contain tables and
illustrations. Authors should provide these in the format ready
for reproduction.
The Forum - Non-refereed
Contributions
Teachers, performers,
clinicians are invited to contribute with first-hand accounts of
their experiences. Contributors are encouraged to share accumulative
wisdom and empirical knowledge. This may be in the form of:
- a documentation of clinical instances
- a description of personal views
- a case study
- a report of an unusual or unique opportunity or experience
- the documentation of a teacher, student, therapist or clients'
personal journey
- a story of shared experiences of a team of professionals working
on a group project
This forum is intended
to open debate as well as inform.
Submission requirements
Submissions should:
Send your contributions
in hard (paper) copy together with a copy on diskette in IBM-compatible
format along with a short biography to:
Adele Nisbet
The Editor
Australian Voice
C/- Queensland Conservatorium
of Music
Griffith University
PO Box 3428
South Brisbane BC QLD
4101
For more info email
Adele Nisbet
Author
Guidelines - information for contributors
Australian
Voice Schedule for 2004
| Contributions
due |
June 30 |
| Reviews |
June to August |
| Editing and Publishing |
September to October |
| Distribution |
October to November |
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Australian
Voice Vol 8 2002
Index
of Australian Voice Articles
to
come
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Robert
Mitchell - ANATS new President
Nov
2003
ANATS
new National President is baritone Robert Mitchell from NSW.
Dr
Mitchell has sung both as chorister and in principal roles with
Opera Australia (OA) since the opening of the Sydney Opera House
in 1973 and graduated in 2003 with a PhD (University
of
Sydney),
having gained his Master of Creative Arts (University of Wollongong,
1993) and the Dip.Mus.Ed. (Alexander Mackie College, 1968).
Robert
is a past president of the NSW Chapter of ANATS, has taught singing
at the University of Western Sydney, was a member of that university's
Graduate Diploma of Singing Pedagogy Advisory Committee, maintains
a private singing practice and has recently participated in the
OA/National Voice Centre joint research project 'Maintaining Excellence
in the Opera Chorus'.
Before
joining OA, Robert sang with the State Opera of SA and has been
a soloist in concert and broadcast for the Australian Elizabethan
Theatre Trust (Queen's Jubilee Concerts), Festival of Sydney, Sydney
Gay and Lesbian Mardi Gras Festival, Australian Brandenburg Orchestra,
Chamber Soloists of Sydney, Warringah Symphony Orchestra, the City
of Wollongong Symphony, the New Trocadero Dance Orchestra, the Stevenage
Choral Society (UK) and University of NSW Opera.
Amongst
others, Robert's OA roles include:
- Lillas Pastia: Carmen
- Antonio/Annibale: The Gondoliers
- Spalanzani: Les contes d’Hoffmann
- Liberto: L’incoronazione di Poppea
- Maître d’Hôtel: The Merry Widow
- Diener: Lulu
- Government Whip: The Eighth Wonder
- Penizek: Countess Maritza
- Frère Jean: Roméo et Juliettek
He
has also covered many leading roles, including all the 'patter'
roles in the OA Gilbert & Sullivan repertoire. His chorus repertoire
consists of more than 100 operas and he appears in roles in the
OA videos of The Gondoliers, The Mikado and Adriana
Lecouvreur.
Robert
also lectures on singing, opera performance and other musical subjects,
and adjudicates singing and music competitions. His PhD thesis:
'Offenbach
's La
Vie Parisienne - critical edition with editorial notes and commentary'
is soon to be published.
Australian
Voice and The Voice of ANATS has published articles by Robert, and
he has written program notes for OA's Orpheus in the Underworld
and NYE Galas 2002 & 2003.
Robert
is looking forward to his new role, though he feels Jan Delpratt
will be a hard act to follow! |
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